Buffalo Bill, born William Frederick Cody on February 26, 1846, was a legendary figure of the American Wild West. Known for his adventurous spirit and diverse roles as a soldier, hunter, trapper, scout, and Pony Express rider, Buffalo Bill became a symbol of the frontier era. However, his fame didn’t fade as the Old West became a relic of the past. Instead, he found his true calling as a showman, transforming the Wild West into a captivating spectacle that enthralled audiences across America and Europe.
Buffalo Bill was born on a farm in Iowa to Isaac Cody, a Canadian immigrant, and Marianne Lee, a teacher. The Cody family moved frequently, driven by Isaac’s adventurous spirit, which Bill seemed to inherit. In 1854, they relocated to Kansas, a territory embroiled in the violent conflicts of Bleeding Kansas over the issue of slavery. Isaac Cody, a staunch opponent of slavery, became a target of pro-slavery settlers, leading to a tragic confrontation that left him severely injured. Despite his mother’s efforts, Isaac never fully recovered and died in 1857, leaving young Bill as the man of the family.
Determined to support his family, Bill took a job with the Russell, Majors, and Waddell Transportation Company, driving cattle and earning $40 a month. His adventures on the plains included a dramatic encounter with Sioux warriors, earning him a reputation as a brave young frontiersman. This reputation paved the way for his involvement with the Pony Express in 1860, a daring mail service that connected the Midwest to California. Although the Pony Express was short-lived due to the advent of the telegraph, it became an integral part of Buffalo Bill’s legend.
With the outbreak of the Civil War in 1861, Bill’s life took another turn. Despite his mother’s wishes, he joined the Red-Legged Scouts, a civilian group protecting Kansas from raiders. After his mother’s death, he joined the Seventh Kansas Cavalry as a guide and scout. Following the war, Bill married Louisa Federici and started a family. He briefly worked for the Kansas Pacific Railway, hunting buffalo to feed railroad workers, a job that earned him the moniker “Buffalo Bill.”
In 1872, Buffalo Bill’s fame skyrocketed when he received a Congressional Medal of Honor for his valor as a scout. That same year, he guided Grand Duke Alexei Alexandrovich of Russia on a buffalo hunt, gaining national attention. Encouraged by writer and promoter Ned Buntline, Bill took to the stage in “The Scouts of the Prairie,” captivating audiences with his authentic frontier persona. Despite mixed reviews from critics, the public adored him, and Buffalo Bill became a star.
In 1883, Buffalo Bill launched “Buffalo Bill’s Wild West,” a grand spectacle featuring parades, races, shootouts, and reenactments of famous battles. The show included notable figures like Sitting Bull and Annie Oakley, and it toured extensively in America and Europe. Buffalo Bill’s Wild West captivated millions, including European royalty and even Pope Leo XIII. By the turn of the century, Buffalo Bill was one of the most famous Americans worldwide.
Buffalo Bill’s legacy as a showman and symbol of the Wild West endures to this day. His ability to transform the frontier experience into a thrilling spectacle captivated audiences and solidified his place in history. Despite his fame, Buffalo Bill faced challenges in business, relying on managers like Nate Salisbury and James Bailey to handle the administrative side of his show. Nevertheless, his impact on American culture and the mythology of the Wild West remains undeniable.
Research the various roles Buffalo Bill played throughout his life, such as soldier, hunter, and showman. Prepare a short presentation highlighting how each role contributed to his legend and the mythology of the Wild West. Focus on how his early life experiences shaped his later achievements.
Participate in a debate discussing Buffalo Bill’s impact on American culture. One side should argue that his Wild West shows were a positive influence, bringing history to life, while the other side should argue that they perpetuated stereotypes and myths. Use evidence from his shows and their reception in America and Europe.
In groups, design a modern version of Buffalo Bill’s Wild West show. Consider how you would update the content to reflect contemporary values while maintaining the spirit of adventure and spectacle. Present your show concept to the class, explaining your choices and how they honor Buffalo Bill’s legacy.
Examine primary sources such as posters, photographs, and newspaper articles from Buffalo Bill’s era. Analyze how these sources contributed to his public image and the popularity of his Wild West shows. Discuss your findings in a group and consider how media shaped public perception of historical figures.
Write a reflective essay on what Buffalo Bill’s life and legacy mean to you personally. Consider how his story of transformation from a frontiersman to a showman resonates with themes of identity, culture, and entertainment. Share your essay with the class to foster a discussion on the lasting impact of historical figures.
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Now, onto today’s video: Soldier, Hunter, Trapper, Scout, Pony Express Rider—Buffalo Bill wore many hats during the old frontier days. But unlike many of his contemporaries, he didn’t simply fade away once the Old West turned into a relic of the bygone era. If anything, he became even more famous because that was when Buffalo Bill found his true calling: that of a showman. He decided that the Wild West didn’t have to be just another chapter in the history books; it could be a spectacle capable of enthralling an audience looking for adventure and excitement. And he was right. Buffalo Bill took the violence, thrills, and danger of the Old West and distilled them into a show that toured for decades around America and Europe. People everywhere flocked in droves to catch a glimpse of the genuine Wild West experience they had read about in newspapers, magazines, and dime novels, thus solidifying Buffalo Bill’s reputation as the greatest showman to ever strap on a pair of cowboy boots.
William Frederick Cody was born on February 26, 1846, on a farm outside Le Claire, Scott County, Iowa. His father, Isaac Cody, was a Canadian immigrant who originally relocated to Cincinnati, Ohio, where he met and married Bill’s mother, a teacher named Marianne Lee, before they both packed up and moved to Iowa. Even though the family farm proved to be prosperous, the Codys never stayed in the same place for long. It seems that Buffalo Bill inherited his wanderlust and thirst for adventure from his father, who got caught up in the California Gold Rush and tried to stake his own claim in 1850. The new business venture went belly up pretty quickly for reasons Bill never found out, but Isaac Cody didn’t want to return to farm life. Therefore, in 1854, the family sold most of what they had, loaded everything else onto wagons, and set out for the rugged and wild lands of Kansas, which had just been incorporated as a territory of the United States.
At first, young Bill Cody was thrilled with the move, as it was filled with new experiences. His father took him along on business trips to conduct trade, and the family spent time with Uncle Elijah, who ran a general store in Western Brazil, just across the Kansas line. Bill met real frontiersmen, hunters, and trappers who lived off the land. He even saw his first military fort at Leavenworth, where cavalrymen conducted drills using sabers flashing in the sunlight.
Then things started to go very wrong very fast. First, Bill’s older brother died when he fell off a horse, leaving him as second in command to help their father with his job as a trader. Then Isaac Cody himself became one of the first victims of the violent turmoil known as Bleeding Kansas. As talks grew of turning Kansas into a new state, the contentious issue of slavery caused several fights, murders, and massacres during the 1850s until it was turned into a moot point by the Civil War. Isaac Cody was a free-stater, meaning he didn’t want slavery to come to Kansas. He was opposed and usually outnumbered by pro-slavery settlers, often referred to as border ruffians because many of them came from neighboring Missouri.
One day in June 1856, Isaac and Bill were returning from Fort Leavenworth when they were confronted by a group of men who had spent most of that day drinking and getting angry over the free-staters. Word had gotten around town that Isaac Cody was against slavery, so they waylaid him and demanded that he explain himself. Isaac tried to calm them down and reason with them, but that only made them more belligerent. One of the men, Charlie Dunn, snuck up behind him and stabbed him in the back. As Isaac collapsed, Dunn went in for a second stab to finish the job, at which point ten-year-old Bill Cody rushed in to defend his father. Even though the crowd seemed okay with Isaac Cody’s murder, some of them hadn’t crossed far enough into villainy to be okay with Dunn killing a young child in front of them, so they stopped him, and the angry mob eventually dispersed.
Isaac Cody was taken home, and his wife managed to nurse him back to health for a time. He became weak and frail, a mere shell of what he used to be. Even worse, people still wanted him dead, so he couldn’t show his face around town anymore. Just being there endangered his entire family. Eventually, a few other free-staters managed to take him safely to Ohio while the rest of the Codys lived off the meager crops they had and the animals that Bill managed to catch. Everyone hoped for a happy ending where time away from danger would help Isaac Cody regain his strength and that ultimately the family would be reunited. But that’s not what happened. Isaac Cody returned home in the spring of 1857, but he was deathly ill, never truly recovering from the stab wound. He died a few days later, leaving 11-year-old Bill Cody as the new man of the family.
Although he was still just a kid, Bill was determined to become a breadwinner for his mother and sisters. His first job was with the Russell, Majors, and Waddell Transportation Company. His role was to drive cattle, which meant that he rode behind the wagon train herding cattle that were transported alongside freight or passengers. Bill made $40 a month, which was enough to support his family, but he soon learned of the dangers that came with the job. One night while on the road to Fort Kearney, the wagon trains were attacked by the Sioux. Amid the chaos, Bill saw the shadowy profile of a Sioux warrior with a gun pointed below him. Without time to think, Bill grabbed the rifle, aimed, and pulled the trigger, causing the dark figure to fall to the ground. Following the attack, word of Bill’s deed spread around and even made the local newspaper, where Bill Cody was proclaimed the youngest Indian Slayer of the Plains.
Now, you might think this little episode would prompt him to find another job, but he did just the opposite. Bill Cody realized that a life of adventure out on the plains was the only life for him. Thanks to his newfound reputation, Bill didn’t have trouble finding spots on new wagon trains, so he did that for a few years until the Pony Express came along in 1860. The same company that gave Bill Cody his first job had an idea for a new operation: a mail service that ran across the heartlands of America from the Midwest all the way to California. They would employ brave, experienced riders who could cover up to 100 miles before passing the parcel to a new fresh rider waiting for them at stations set up along the route.
Truth be told, this relay system was not some new innovation; Genghis Khan did a similar thing, and even before him, the first Persian Empire used it to great success around 500 BC. The Pony Express became the fastest way to deliver messages from one coast of America to the other. It was hard and dangerous work, as riders often had to traverse lands filled with peril. Hence the infamous Pony Express ad which read: “Wanted: young, skinny, wiry fellows not over 18. Must be expert riders willing to risk death daily. Orphans preferred. Wages: $25 per week.” Alas, it seemed that the ominous advertisement wasn’t real, having been made up by a journalist in the early 20th century.
As for Bill Cody’s role with this mail service, it has long become an intrinsic part of his legend. Buffalo Bill joined the Pony Express when he was a teenager and became its most famous rider. He certainly claimed it often enough, and other people vouched for him, but his name cannot be found in the official records. This might simply be an oversight from a time when record-keeping wasn’t exactly paramount, or it could have been some embellishment from Bill himself to add to his exploits. It’s unlikely to be the only one. Even if Bill Cody did work for the Pony Express, he didn’t do it for very long. Nobody did, in fact, because the Pony Express has been romanticized and transformed into an integral part of Wild West lore, and people tend to forget that the business was a dismal failure that only lasted for a year and a half before going bankrupt.
That’s because it appeared shortly before another means of communication—one that was truly an innovation: the telegraph. As soon as the first transcontinental line was established in October 1861, the Pony Express became redundant and was forced to close its doors. As was the case with most Americans, Bill Cody’s life changed in 1861 with the outbreak of the Civil War. His family had strong Union sympathies, and Bill wanted to join the fight, but his mother made him promise not to do it because she couldn’t bear losing him too. Bill promised, but clearly had his fingers crossed behind his back because that same year he joined the Red-Legged Scouts, a local company commanded by Captain Bill Tough.
Although the Red-Legged Scouts often worked alongside the regular army, they were civilians whose stated goal was to protect Kansas from incoming raiders and guerrilla soldiers. So Cody saw this more as protecting his home rather than taking part in the war. Clearly, Cody thought this was an acceptable loophole, but he stopped pretending altogether in 1863 once his mother passed away and he joined the Seventh Kansas Cavalry as a guide and scout. His sisters were married by that point, so he didn’t have to worry about providing for anyone else anymore.
When the Civil War was over, Bill thought it was time to start his own family. In 1866, he married a woman named Louisa Federici, and the two went on to have four children together. In 1867, Cody had a short stint working for the Kansas Pacific Railway, hunting buffalo to help feed the workers building the railroad. It was a brief but important part of his life because this job gave Cody a new moniker that immortalized him in the pantheon of Wild West legends. Thanks to his hunting prowess, Bill Cody became known as Buffalo Bill, and the label was well-deserved if the stories are anything to go by. Allegedly, Bill killed over 4,000 buffalo during an eight-month period and even had his own special rifle for it, a Springfield .50 caliber trapdoor needle gun, which he named Lucretia Borgia after an infamous 15th-century Italian femme fatale.
The buffalo population got a reprieve in 1868 when Cody returned to the Army. The Civil War may have ended, but the American government’s conflicts with various Native American tribes were ongoing, so there was still a great need for a man of Bill’s talents. He was even promoted to Chief of Scouts that same year, and in 1872, he received a Congressional Medal of Honor for valor in action. Somewhat controversially, the government later revoked the honor in 1917 after they created a new hierarchy for military medals and deemed that some recipients, such as Buffalo Bill, no longer fit the criteria. Their decision was ultimately reversed in 1989, and Bill’s medal was reinstated following a long campaign by his descendants.
1872 was a landmark year for Buffalo Bill. First came the Medal of Honor, then came the visit of Grand Duke Alexei Alexandrovich of Russia, son of Emperor Alexander II. He was a goodwill ambassador on a publicity tour of the United States, and word came down from President Ulysses S. Grant himself to make the young Duke feel at home. It was Alexei’s 22nd birthday, and to celebrate, he wanted to take part in a buffalo hunt. It was the Duke, his entourage, a few American generals, and none other than Buffalo Bill acting as their guide on the trip. Allegedly, Bill even loaned Alexei his trusty hunting rifle, Lucretia, to bag his first buffalo. It was a successful hunt all around, and the grateful Duke lavished everyone with expensive champagne and luxurious presents to celebrate the event. More than that, the Royal Buffalo Hunt was the talk of the town and front-page news in every newspaper in the country. This gave Buffalo Bill his first taste of fame, and he liked it.
That same year, Bill took to the stage for the first time, courtesy of American writer and promoter Ned Buntline. If you’re not familiar with Ned Buntline, that’s because his main job was to make other people famous, and he liked to focus on Wild West characters, which he featured in dime novels that sold greatly exaggerated tales of their adventures. His biggest success story was Wild Bill Hickok, and honestly, Buntline deserves almost as much credit for turning Hickok into a legend of the Old West as Bill himself. In 1872, his new pet project was Buffalo Bill. Given all the attention he received following Grand Duke Alexei’s hunting trip, the two already knew each other, and Bill Cody had a hankering for the limelight. So it didn’t take much convincing from Buntline to have Buffalo Bill star in his new stage show titled “The Scouts of the Prairie.”
The show premiered on December 16, 1872, at the Nixon Amphitheater in Chicago. Alongside Bill and Buntline, their act also included another famed frontiersman called Texas Jack Omohundro and an Italian dancer named Giuseppina Morlacchi. The reception to the show was mixed; the critics absolutely hated it, but the public loved it. It was the big spectacle of its day. Every single newspaper in Chicago panned it, singling out the durable performance of its 23-year-old leading man, Bill Cody, who delivered his lines after the manner of a diffident schoolboy in his maiden effort. However, the audiences loved the rough and tough style of Buffalo Bill; it made him feel genuine. He was a guy who actually fought in wars, who actually killed men, who hunted buffalo on the plains. The fact that he was young and handsome didn’t hurt either, and just like that, a star was born.
The following year, Bill split from Ned Buntline, took Texas Jack with him, and developed his own act titled “Scouts of the Plains.” He even added Wild Bill Hickok to the show, one of the few figures of the Old West who were more famous than him. However, this was after Hickok’s glory days; his eyesight had gone bad, and he couldn’t find a job as a lawman anymore, so this was more of an attempt from Cody to help out a friend. However, if you’ve seen our biographics video on Wild Bill, you already know that Hickok didn’t take to show business as Buffalo Bill did. He hated being on stage and lasted only a few months. Bill Cody toured with his troop for the next decade or so. He took one memorable break in 1876 following the Battle of Little Bighorn, also known as Custer’s Last Stand. General Custer had been a friend to Cody; he was even there for the Duke’s buffalo hunt. Buffalo Bill felt obliged to rejoin the scouts and help avenge his fallen comrade, which he did at the Battle of War Bonnet Creek, where the Fifth Cavalry Regiment defeated a group of Sioux.
According to legend, after gunning down a famed warrior named Yellow Hair, Bill helped him and shouted, “The first scalp for Custer!” Whether or not this gruesome display of vengeance actually happened, we can’t say, but Bill later incorporated a reenactment of it into his show. Bill’s feelings towards Native Americans were complicated. He didn’t seem to mind fighting them in battles; he certainly didn’t mind exploiting them for his show, but he was also a proponent of their civil liberties and defended them in public at a time when doing that could have been career suicide. He stated, “For centuries, they’ve been hounded from the Atlantic to the Pacific and back again. They had their wives and little ones to protect, and they were fighting for their existence. Every Indian outbreak that I’ve ever known has resulted from broken promises and broken treaties by the government.”
If you think that position is a bit incongruous, you should know that Bill was also in favor of buffalo conservation, even though he killed them by the thousands. In 1883, Cody took his act to new heights when he founded “Buffalo Bill’s Wild West,” a large-scale spectacle that was much more comparable to a circus than a stage show. It toured around the country and featured parades, races, shootouts, roping and riding, marksmanship contests, and reenactments of famous battles. Already famous figures of the West, such as Sitting Bull and Calamity Jane, appeared as storytellers, while other performers, such as Annie Oakley, found fame by starring in this show. Just after a few years, the show became so popular that Buffalo Bill took it to Europe. He performed at Queen Victoria’s Jubilee during the 1887 World’s Fair. His six-month stint in London garnered over 2 million total visitors and became so popular that Cody was invited to stage the show in other countries in front of European royalty and even Pope Leo XIII.
It’s not an exaggeration to say that at the turn of the century, Buffalo Bill was one of the most famous Americans in the world, if not the most famous. Bill Cody may have been a great showman, but that didn’t make him a great businessman. For most of the Wild West show’s run, the administrative side of things was handled by Bill’s manager, Nate Salisbury. When he died in 1902, his role was taken up by circus promoter James Bailey of Barnum and Bailey fame, but he also died a few years later in 1906,
Buffalo Bill – A famous American showman known for his Wild West shows, which depicted the life and adventures of the American frontier. – Buffalo Bill’s Wild West show was a groundbreaking spectacle that brought the myths and legends of the American frontier to audiences worldwide.
Wild West – A term used to describe the western United States during the late 19th century, characterized by lawlessness and frontier life. – The Wild West has been romanticized in literature and film, often highlighting the rugged individualism and adventure of the era.
Showman – An entertainer or producer skilled in presenting performances to captivate an audience. – As a showman, P.T. Barnum revolutionized the circus industry with his innovative and extravagant performances.
Frontier – The edge of settled or developed territory, often associated with exploration and expansion in history. – The concept of the frontier played a crucial role in shaping American identity and the nation’s historical narrative of progress and exploration.
Spectacle – An impressive or grand public display or performance that captures attention. – The opening ceremony of the Olympic Games is a spectacle that showcases the cultural heritage and artistic talent of the host nation.
History – The study of past events, particularly in human affairs, often analyzed to understand patterns and impacts on the present. – Understanding history is essential for comprehending the cultural and social dynamics that shape contemporary societies.
Performance – An act of staging or presenting a play, concert, or other form of entertainment. – The performance of Shakespeare’s “Hamlet” at the Globe Theatre was met with critical acclaim for its innovative interpretation and powerful acting.
Audience – The assembled spectators or listeners at a public event, such as a play, concert, or meeting. – The audience was captivated by the ballet’s stunning choreography and the dancers’ graceful execution.
Legacy – Something handed down by a predecessor, often referring to cultural or historical contributions that impact future generations. – The legacy of the Renaissance period is evident in the enduring influence of its art, literature, and scientific advancements.
Adventure – An unusual and exciting experience or activity, often involving exploration or risk. – The Age of Exploration was marked by the adventure of navigators who charted new territories and expanded the known world.